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Juan Hidalgo de Polanco (28 September 1614 – 31 March 1685) was a Spanish composer and harpist.〔Antonio Ezquerro Esteban Tonos humanos, letras y villancicos catalanes del siglo XVII - 2002 - Page 21 "JUAN HIDALGO (POLANCO ) ( *Madrid, l614 -l685). Sin duda, de las dos obras que hoy se editan, ambas pertenecen al célebre «Juan» Hidalgo, a pesar de que en el primer caso la fuente únicamente anota un escueto ...〕 Hidalgo was born and died in Madrid. In either 1630 or 1631 he became a harpist at the Spanish royal chapel where he was responsible for the accompaniment of both sacred and secular music. Around 1645 he began to serve as leader of the court's chamber musicians and chief composer of ''villancicos,'' chamber songs, and music for the theatre. Hidalgo became the most influential composer of his time in the Hispanic world. He dominated secular and theatrical music at the Spanish court until his death. He was a prolific composer and enjoyed a great deal of popularity throughout his career. His place in Spanish theatre history is equivalent to that of Henry Purcell in Britain and Lully in France. He wrote music for at least nine allegorical religious plays that were performed in public for Corpus Christi. His work for the court stages included songs for 16 spoken plays (''comedias''), many partly sung ''zarzuelas'' and semi-operas, and two full operas which are highly regarded. His output also included a large number of sacred ''villancicos'' and some liturgical music. His life is the basis of a novel, The Harpist of Madrid, by the English author Gordon Thomas.〔Gordon Thomas, The Harpist of Madrid, Olympia Publishers, London (2011) ISBN 978-1848971547〕 ==Selected works== * 1656 - ''Pico y Canente'' (Luis de Ulloa y Pereira) / Comedia pastoral. * 1658? - ''Triunfos de amor y fortuna'' (Antonio de Solís) / Obra mitológica. In collaboration with Cristobal Galán. * 1658 - ''El laurel de Apolo'' (Pedro Calderón de la Barca) / Zarzuela (missing music). * 1660 - ''La púrpura de la rosa'' (Calderón de la Barca) / Ópera (missing music). * 1660 - ''Celos aun del aire matan'' (Calderón de la Barca) / Ópera. * 1661 - ''Eco y Narciso'' (Calderón de la Barca) / Comedia pastoral. * 1661 - ''El hijo del Sol, Faetón'' (Calderón de la Barca). * 1662 - ''Ni amor se libra de amor'' (Calderón de la Barca) /Zarzuela (missing) * 1670 - ''La estatua de Prometeo'' (Calderón de la Barca) / Zarzuela. * 1670 - ''Fieras afemina amor'' (Calderón de la Barca) * 1672 - ''Los celos hacen estrellas'' (Juan Vélez de Guevara) / Zarzuela (conserved music) * 1672 - ''Alfeo y Aretusa'' (Juan Bautista Diamante) / Zarzuela * 1673 - ''Los juegos olímpicos'' (Agustín de Salazar y Torres) / Zarzuela * 1675 - ''El templo de Palas'' (Francisco de Avellaneda). * 1680 - ''Hado y divisa de Leonido y Marfisa'' (Calderón de la Barca) / Ópera. * 1684 - ''Apolo y Leucotea'' (Pedro Scotti de Agoiz) / Zarzuela. * 1684 - ''Endimión y Diana'' (Melchor Fernández de León) / Zarzuela * 1684 - ''Ícaro y Dédalo'' (Fernández de León) / Obra mitológica * 1695 - ''El primer templo de Amor'' (Fernández de León) / Mitológica-pastoral 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Juan Hidalgo de Polanco」の詳細全文を読む スポンサード リンク
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